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英文诗歌推荐:California Plush

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  California Plush

  by Frank Bidart

  The only thing I miss about Los Angeles

  is the Hollywood Freeway at midnight, windows down and

  radio blaring

  bearing right into the center of the city, the Capitol Tower

  on the right, and beyond it, Hollywood Boulevard

  blazing

  ——pimps, surplus stores, footprints of the stars

  ——descending through the city

  fast as the law would allow

  through the lights, then rising to the stack

  out of the city

  to the stack where lanes are stacked six deep

  and you on top; the air

  now clean, for a moment weightless

  without memories, or

  need for a past.

  The need for the past

  is so much at the center of my life

  I write this poem to record my discovery of it,

  my reconciliation.

  It was in Bishop, the room was done

  in California plush: we had gone into the coffee shop, were told

  you could only get a steak in the bar:

  I hesitated,

  not wanting to be an occasion of temptation for my father

  but he wanted to, so we entered

  a dark room, with amber water glasses, walnut

  tables, captain's chairs,

  plastic doilies, papier-m?ché bas-relief wall ballerinas,

  German memorial plates "bought on a trip to Europe,"

  Puritan crosshatch green-yellow wallpaper,

  frilly shades, cowhide

  booths——

  I thought of Cambridge:

  the lovely congruent elegance

  of Revolutionary architecture, even of

  ersatz thirties Georgian

  seemed alien, a threat, sign

  of all I was not——

  to bode order and lucidity

  as an ideal, if not reality——

  not this California plush, which

  also

  I was not.

  And so I made myself an Easterner,

  finding it, after all, more like me

  than I had let myself hope.

  And now, staring into the embittered face of

  my father,

  again, for two weeks, as twice a year,

  I was back.

  The waitress asked us if we wanted a drink.

  Grimly, I waited until he said no……

  Before the tribunal of the world I submit the following

  document:

  Nancy showed it to us,

  in her apartment at the model,

  as she waited month by month

  for the property settlement, her children grown

  and working for their father,

  at fifty-three now alone,

  a drink in her hand:

  as my father said,

  "They keep a drink in her hand":

  Name  Wallace du Bois

  Box No 128   Chino, Calif.

  Date  July 25  ,19 54

  Mr Howard Arturian

  I am writing a letter to you this afternoon while I'm in the

  mood of writing. How is everything getting along with you these

  fine days, as for me everything is just fine and I feel great except for

  the heat I think its lot warmer then it is up there but I don't mind

  it so much. I work at the dairy half day and I go to trade school the

  other half day Body & Fender, now I am learning how to spray

  paint cars I've already painted one and now I got another car to

  paint. So now I think I've learned all I want after I have learned all

  this. I know how to straighten metals and all that. I forgot to say

  "Hello" to you. The reason why I am writing to you is about a job,

  my Parole Officer told me that he got letter from and that you want

  me to go to work for you. So I wanted to know if its truth. When

  I go to the Board in Feb. I'll tell them what I want to do and where

  I would like to go, so if you want me to work for you I'd rather have

  you sent me to your brother John in Tonapah and place to stay for

  my family. The Old Lady says the same thing in her last letter that

  she would be some place else then in Bishop, thats the way I feel

  too.and another thing is my drinking problem. I made up my mind

  to quit my drinking, after all what it did to me and what happen.

  This is one thing I'll never forget as longs as I live I never want

  to go through all this mess again. This sure did teach me lot of things

  that I never knew before. So Howard you can let me know soon

  as possible. I sure would appreciate it.

  P.S                  From Your Friend

  I hope you can read my         Wally Du Bois

  writing. I am a little nervous yet

  ——He and his wife had given a party, and

  one of the guests was walking away

  just as Wallace started backing up his car.

  He hit him, so put the body in the back seat

  and drove to a deserted road.

  There he put it before the tires, and

  ran back and forth over it several times.

  When he got out of Chino, he did,

  indeed, never do that again:

  but one child was dead, his only son,

  found with the rest of the family

  immobile in their beds with typhoid,

  next to the mother, the child having been

  dead two days:

  he continued to drink, and as if it were the Old West

  shot up the town a couple of Saturday nights.

  "So now I think I've learned all I want

  after I have learned all this: this sure did teach me a lot of things

  that I never knew before.

  I am a little nervous yet."

  It seems to me

  an emblem of Bishop——

  For watching the room, as the waitresses in their

  back-combed, Parisian, peroxided, bouffant hairdos,

  and plastic belts,

  moved back and forth

  I thought of Wallace, and

  the room suddenly seemed to me

  not uninteresting at all:

  they were the same. Every plate and chair

  had its congruence with

  all the choices creating

  these people, created

  by them——by me,

  for this is my father's chosen country, my origin.

  Before, I had merely been anxious, bored; now,

  I began to ask a thousand questions……

  He was, of course, mistrustful, knowing I was bored,

  knowing he had dragged me up here from Bakersfield

  after five years

  of almost managing to forget Bishop existed.

  But he soon became loquacious, ordered a drink,

  and settled down for

  an afternoon of talk……

  He liked Bishop: somehow, it was to his taste, this

  hard-drinking, loud, visited-by-movie-stars town.

  "Better to be a big fish in a little pond."

  And he was: when they came to shoot a film,

  he entertained them; Miss A——, who wore

  nothing at all under her mink coat; Mr. M——,

  good horseman, good shot.

  "But when your mother

  let me down" (for alcoholism and

  infidelity, she divorced him)

  "and Los Angeles wouldn't give us water any more,

  I had to leave.

  We were the first people to grow potatoes in this valley."

  When he began to tell me

  that he lost control of the business

  because of the settlement he gave my mother,

  because I had heard it

  many times,

  in revenge, I asked why people up here drank so much.

  He hesitated. "Bored, I guess.

  ——Not much to do."

  And why had Nancy's husband left her?

  In bitterness, all he said was:

  "People up here drink too damn much."

  And that was how experience

  had informed his life.

  "So now I think I've learned all I want

  after I have learned all this: this sure did teach me a lot of things

  that I never knew before.

  I am a little nervous yet."

  Yet, as my mother said,

  returning, as always, to the past,

  "I wouldn't change any of it.

  It taught me so much. Gladys

  is such an innocent creature: you look into her face

  and somehow it's empty, all she worries about

  are sales and the baby.

  her husband's too good!"

  It's quite pointless to call this rationalization:

  my mother, for uncertain reasons, has had her

  bout with insanity, but she's right:

  the past in maiming us,

  makes us,

  fruition

  is also

  destruction:

  I think of Proust, dying

  in a cork-linked room, because he refuses to eat

  because he thinks that he cannot write if he eats

  because he wills to write, to finish his novel

  ——his novel which recaptures the past, and

  with a kind of joy, because

  in the debris

  of the past, he has found the sources of the necessities

  which have led him to this room, writing

  ——in this strange harmony, does he will

  for it to have been different?

  And I can't not think of the remorse of Oedipus,

  who tries to escape, to expiate the past

  by blinding himself, and

  then, when he is dying, sees that he has become a Daimon

  ——does he, discovering, at last, this cruel

  coherence created by

  "the order of the universe"

  ——does he will

  anything reversed?

  I look at my father:

  as he drinks his way into garrulous, shaky

  defensiveness, the debris of the past

  is just debris——; whatever I reason, it is a desolation

  to watch……

  must I watch?

  He will not change; he does not want to change;

  every defeated gesture implies

  the past is useless, irretrievable……

  ——I want to change: I want to stop fear's subtle

  guidance of my life——; but, how can I do that

  if I am still

  afraid of its source?

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